Manuel Mendive Exhibition, Performance Procession, at Frost Art Museum, Explores African Influence on His Life, His Art, and the World Around Him

Mito de la creación

Mito de la creación

MIAMI, FL (November 4, 2013) The Cuban Art Project –Renowned Cuban artist Manuel Mendive Hoyo brings his exhibition, Things that Cannot be Seen Any Other Way: The Art of Manuel Mendive and a unique performance procession, Water (Homage to the Waters), to the Patricia & Phillip Frost Art Museum at FIU. The exhibition, which runs from November 16, 2013 through January 25, 2014, is organized by the Fundación Amistad; the performance procession will be held on Saturday, November 16, at 4 pm, beginning at the Graham Center and proceeding to the Frost. An opening reception will follow the performance procession, from 5-8 pm, at the Museum. The reception is open to the public and free of charge.

The Art Exhibition:

Centered on the fifty-year career of this prominent Afro-Cuban artist, Things that Cannot be Seen Any Other Way: The Art of Manuel Mendive is the first in the United States to focus on Mendive’s long-time incorporation of the visual and material culture of the Afro-Cuban religion.

Born in 1944, Mendive attended Cuba’s national fine arts academy, San Alejandro. Now regarded as one of the foremost contemporary artists in Cuba and the Caribbean, he began his career in the early 1960s. Mendive paved new ground by moving beyond his predecessors’ reliance on mainstream Western art forms, such as Cubism and Surrealism, and incorporating visual elements rooted in the Yoruba historical religious and visual traditions of West Africa into his painting. A substantial body of literature has highlighted the religious references in Mendive’s work, yet little has been written of substance on the manner in which Yoruba themes were incorporated into the underlying artistic and religious philosophy, omissions this exhibition seeks, in part, to remedy.

Oshun

Oshun

The exhibition traces Mendive’s drawing, painting, sculpture, and performances from the early 1960s to the present, with special attention paid to certain themes common across his work, including religion, identity and memory, as well as the production styles into which his work can be categorized. In chronicling the iconography of Afro-Cuban art in conjunction with an examination of the influence of both Western and African artistic practices on Cuban art, the exhibition explores issues of creolization, hybridity and syncretism through the twentieth century to the present day. It also highlights the role played by politics of identity, race and resistance by African descendants in indigenous works of art.

According to Carol Damian, Director of the Patricia & Phillip Frost Art Museum, “ManuelMendive unites man’s body to the earth that generated him, to the plants and animals, water and sky, to Mother Nature in which he is a creature among creatures, and in which he finds the reason, time and space of his very existence. It is a totalizing concept of art in which the pictorial mixes with that of the body and soul to reach an intense emotional height, where art and spirit reflect harmony and peace of mind.”

In all, the exhibition will include more than 50 of Mendive’s paintings, 4 of his sculptures and one of his tapestries, along with a mask installation. This exhibition is a project originally conceived by the Los Angeles Department of Cultural Affairs in association with The California African American Museum, the Patricia & Phillip Frost Art Museum at Florida International University, and Fundación Amistad; Bárbaro Martínez-Ruiz, Director of the Orbis Africa Advanced Research Center, Department of Art & Art History, Stanford University, is curator.

La Guabina

La Guabina

The Performance Procession:
The central idea of the Waters (Homage to the Waters) performance procession is a reflection on the importance of water for the development of different cultures and their presence and symbolism for African, Asian and Western religions up to the present day, highlighting the need for this element to ensure the life of man and of nature; water as a central, vital energy, and as a living and eternal element. It attempts to tell the story of water as a journey that is developed by research relating to the subject from different philosophical, religious, cultural and social angles, proposing an anthropological vision that goes beyond the presence of water in a specific culture, such as the Yoruba culture which, in this case, goes to the essence of mankind, its feelings and its personal stories.

The performance procession begins in the courtyard of the Graham Center building on the FIU campus, where a group of people who are in the audience will tell the story of water with megaphones in order to amplify their voices. They will use different media, such as recorders or cell phones that will allow listening to the texts in Spanish and English. These people will act as old fashion minstrels that will repeat the stories, but in this case, using modern technological media. There will also be actors, dancers and musicians who will be listening or reading these texts during their procession toward a sculpture, aguas del rio, that will be covered by a tapestry made by the artist. The tapestry will be removed by the dancers and the sculpture will be taken into the Frost Art Museum, and placed on a wall that is provided for this purpose. Mendive is known worldwide for his performance processions, and this one will be conducted only once.

The public programming presented by the Frost Art Museum is in conjunction with the Cuban Research Institute and the African & African Diaspora Studies Program at FIU. Funding for the exhibition and programs has been provided by Fundación Amistad; Cernuda Arte; Manny Kadre; PanAmericanArtProjects; the Farber Foundation; and the City of Los Angeles Department of Cultural Affairs.

This exhibition is part of the Frost Art Museum’s 2013 series:
Commemorating 500 Years: Spain-Florida-Caribbean

Also currently on display at the Frost Art Museum:
• Humberto Castro: Tracing Antilles
• Eternal Cuba: The Darlene M. and Jorge M. Pérez Art Collection at FIU
• Deep Blue by Javier Velasco
• Alberto Baraya’s Naturalism/Artificiality: Expeditions, and Research of the Herbarium of Artificial Plants
• From Africa to the Americas
• A Wolfsonian-FIU Teaching Exhibition Crisis and Commerce: World’s Fairs of the 1930s

About the Patricia & Phillip Frost Art Museum at Florida International University
The Frost Art Museum opened its current 46,000-square-foot state-of-the-art building in November 2008. Admission to the Museum is always free. The Frost is an American Association of Museums accredited museum and Smithsonian affiliate and is located at 10975 SW 17thStreet, across from the Blue garage and adjacent to the Wertheim Performing Arts Center on the Modesto A. Maidique Campus. Hours of operation areTuesday through Saturday 10 a.m. – 5 p.m. and Sunday noon-5 p.m. Closed on Mondays and most legal holidays. For more information, please visit http://thefrost.fiu.edu or call305-348-2890.

About FIU:
Florida International University is recognized as a Carnegie engaged university. Its colleges and schools offer more than 180 bachelor’s, master’s and doctoral programs in fields such as engineering, international relations, architecture, law and medicine. As one of South Florida’s anchor institutions, FIU is Worlds Ahead in its local and global engagement, finding solutions to the most challenging problems of our time. FIU emphasizes research as a major component of its mission. FIU has awarded 200,000 degrees and enrolls 50,000 students in two campuses and three centers including FIU Downtown on Brickell and the Miami Beach Urban Studios. FIU is a member of Conference USA and has 400 student-athletes participating in 18 sports. For more information about FIU, visithttp://www.fiu.edu/

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